Artist John Hilton burned paintings in bonfire in Box Canyon
According to Katherine Ainsworth’s 1978 biography of John Hilton, Maynard Dixon and Nicolai Fechin, both, advised Hilton to discard “unworthy” paintings. As noted in the biography as well as numerous newspaper and magazine articles, Hilton invited friends to a dramatic annual party in Box Canyon (east of Mecca, CA) when he would throw his rejects onto a bonfire at the stoke of midnight on New Year’s Eve. As the years passed, the party grew and others added to the bonfire, but Hilton reserved his painting burning for last.
One particularly memorable New Year’s was 1940/41 when the Los Angeles Times printed a photo of him tossing a painting into the fire.
Immediately to the right on the page was an article by Ed Ainsworth:
After several years the parties were discontinued; this may have even been the last, as a year later the US would be at war. Of course today, one would need a permit for such a fire, which the County Fire Department would never issue!
The City was incorporated in December 1946 and the City Hall was dedicated in October 1949. Over the years, it not only housed the City government, but also the post office, police department, justice court, and the public library. Today, City Council Chambers and administration occupy the entire building.
The Fire Station was built on land donated by the Coachella Land & Water Co. to Riverside County, circa 1905, when the town was being platted. When the City was incorporated in 1946, one of its first actions was to ask the County to donate the land to the new City. Next door to the site of the Fire Station, the new City Hall was built; to the north of City Hall and the Fire Station, approximately half of the parcel continued to be used as a park and is today Veterans’ Memorial Park.
Yesterday is already history, but for some of us, it will be the day the BIG BOY came to Indio.
Needless to say, the crowds ranged from toddlers to the elderly, all here to see one of the largest steam locomotives ever built.
Originally delivered to the Union Pacific in December 1941, Engine No. 4014 has been fully restored and touring the country as part of the celebration of the 150th anniversary of the Meeting of the Rails at Promontory Point in 1869. More information on the Big Boy can be found at https://www.up.com/heritage/steam/4014/
Designed by Swiss-born Modernist architect Albert Frey,* the Yacht Club is an architectural gem sitting in a pretty desolate location, the northeastern shore of the Salton Sea, across Highway 111 and the Southern Pacific tracks from the unincorporated community of North Shore. Built in 1959, the marina was used to dock boats, in an era when the Sea had more visitors per year than Yosemite.
With the jetty long gone and the Yacht Club abandoned and vandalized, in 2009, Riverside County restored the building. For about a year the Salton Sea Museum operated from the building, with over 7000 visitors signing in. Sadly the museum closed, and the facility is now primarily used as a community center by Desert Recreational District. BUT at least it is being used and maintained!
Now the “new” problem is the dropping Sea water level, leaving the inlet to the marina cut off from the Sea. Last month the Coachella Valley Mountains Conservancy** voted to approve a grant, which along with funds from the Bureau of Reclamation and the California Natural Resources Agency, would enable the Salton Sea Authority to rehabilitate the inlet and marina. If you go to Google Maps satellite image of the area, you can see a tiny, compromised inlet from the Sea to the marina. However, last Sunday I went down to take photos and stood “in the inlet,” on dry beach to take the photo below.
Last Spring Desert X https://www.desertx.org/ brought more visitors to the area to see the outdoor art installations around the Coachella Valley, including the Salton Sea. It reminds me a little of Marfa Texas, in that a gem of art, is sitting in an out of the way location.
Next week the Salton Sea Summit will convene at UCR Palm Desert campus; let us hope this will bring needed attention and solutions.
*Albert Frey’s architecture is Desert Modernism, centered on Palm Springs; his work includes the Palm Springs Tramway Valley Station and the Tramway Gas Station, now used an a Visitor’s Center on the entry into the City, as well as City Hall, etc.
I only have a dim memory of this building from my childhood; as I recall, it was ramshackle by that time.
However, in its day, the Trading Post had been important. In April 1927, an article in the Los Angeles Times described an auto tour of the Coachella Valley to see the wild flowers and included a reference to a “fine new swimming pool” at the Coachella Valley Trading Post.
In his reminiscences to Katherine Ainsworth (The Man Who Captured Sunshine, 1978), artist John Hilton told her of picking up some good hints from Charles Safford, a graduate of the Chicago Institute of Art. “Stafford [sic]* lived and worked at the old Coachella Trading Post. He and I decorated the walls with our scenes. We were mighty proud of those pictures, but during World War II, the place became a U.S.O. center and the soldiers used our painting as dart boards.” (Ainsworth , page 99).
I remember seeing a photograph of soldiers posed on the front porch of the Trading Post. During World War II, there were US newspaper articles, across the country, that Mrs. Edward. G. Robinson had organized bus trips for girls from Beverly Hills to travel to the Trading Post to dance with the service men; it cost them $5 and they had to take an oath not to drink alcohol or to leave the premises of the Trading Post during the visit. These trips were even made in August when approximately 2500 Army men would come to dance with the 200 girls, who slept on army cots after the dance; on Sunday they went swimming in the pool before returning to L.A. At least one soldier is reported to have jumped in the pool fully clothed!
I hope to find more history of the building; if you have anything to add, please let me know; thanks.
In 1893, George Durbrow and investors incorporated the New Liverpool Salt Company at Salton, on the Southern Pacific main line, south of Mecca, CA.
Salt was deposited on approximately 1000 acres of dry sea bed (ancient Lake Cahuilla) by seepage from salt springs in the foothills. Although called a mine, the salt works actually resembled a harvest operation, needing only to cut salt from the field, crush it, bag it, and send it by narrow gauge rail to the nearby railway station at Salton. The quality, quantity, and uniqueness of its gathering led to it being featured in an 1899 issue of Strand Magazine and a 1901 issue of the National Geographic Magazine.
In “The Saline Deposits of California,” California State Mining Bureau, Bulletin No. 24 (1902), Gilbert E. Bailey, described the operation: “The sight at the salt works is an interesting one, for thousands of tons are piled up like huge snow drifts,…Indians operate cable plows, harvesting over 700 tons of pure salt per day. A portable railroad conveys the salt to the works.
The [crystal] lake is constantly being supplied by numerous springs in the adjacent foothills, which flow into the basin and quickly evaporate, leaving deposits of very pure salt that vary from 10 to 20 inches in thickness.”
In February 1891, the Colorado overflowed its banks, into the Mexican delta, leaving water standing in low areas. The following June, it overflowed again, reaching the standing water; the resulting flood from the commingled waters reached the Salton Basin, creating a lake approximately 30 miles long and 10 miles wide, but only 5 feet deep. Being shallow, it evaporated, leaving the Salt Works intact.
However, in 1905-1907, when the Colorado River overwhelmed the California Development Co. intakes for the Imperial Canal, the diverted water flooded the Salton Basin creating the Salton Sea. First the salt field was submerged, then the salt plant, and then the town of Salton and the rail lines.
A COOLING TOWER FOR CONSTRUCTION OF THE COACHELLA CANAL
In 1938-40, World War II was looming on the horizon, and water for domestic sources of food was a high priority. Part of the Boulder Canyon Project, the Coachella Branch of the All American Canal was being built to bring Colorado River water to the Coachella Valley where the water level in wells was dropping drastically. Due to the extreme summer temperatures in the Imperial and Coachella Valleys, US Bureau of Reclamation specified the “placing season” for concrete to be October through May, using water no hotter than 90̊ F. However, high temperatures in April, May and October shortened the season.
Since construction took place in unsettled, desert lands, water was first pumped from part of the canal that had been built to storage tanks or reservoirs; then it was pumped via a second 4″pipe line, lying on the surface of the ground up to 11 miles, to the construction sites. In April and May of 1939, placing concrete came to a halt.
The ten foot tall evaporative cooling tower, pictured above, was created to re-circulate the water at least twice, through a 220 gallon holding tank. On May 11 & 13, 1940, water in the pipeline reached 133̊ & 130̊. On the 13th, using the cooling tower, the water was lowered to 84̊ while usage was 540 gallons per hour; use of the tower enabled concrete placement throughout the “season.”
Based on report in Reclamation Era magazine, October 1940.